You're here. So am I. Let's enjoy each other.
Our recognition beckons new strategies, even as we confront the terrible realities of the challenges that give rise to them. If you’ll permit me to put on my professor kangol and theorize for a moment, I think we must consider the potential in the space between the diss and the respect—the potential (and the danger) of what it means to dis(card) respectability altogether. This space between the disses we get and the respect we seek is the space in which Black women live our lives. It is the crunk place, the percussive place, the place that makes noise (and music), the place that moves us, the place that offers possibility in the midst of two impossible extremes. And frankly, that is what I would wish for baby Blue anyway, the ability to make her own way in the midst of two largely unattainable extremes of Black woman- and manhood represented in her mommy and daddy. I hope that in having access to their humanity, she can draw from who they actually are, rather than who we make them out to be. And I hope she will know that she, like every other Black girl, is the most beautifullest thing in this world, simply because she is.
For the rest of us, we might have to accept that this magical, Edenic, place “when and where” Black women “can enter in the quiet undisputed dignity of our womanhood” is not forthcoming. We’re gonna have to fight for the dignity that’s rightfully ours. So um #nodisrespect but excuse me while I #takeoffmyearrings.
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—Crunktastic, Disrespectability Politics: On Jay-Z’s Bitch, Beyonce’s ‘Fly’ Ass, and Black Girl Blue, Crunk Feminist Collective.
Instead of offering “advice” to a Black child whose Black parents didn’t even ask her to look around at their child—let alone say something to her—Jaclyn Friedman needs to read this and have a damn seat.
::drops mic::